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Weekly Dose of Thunder #1

The Soundtrack to Other People’s Lives

Rich Cerow

Hey there, dudes and dudettes, and welcome to the first issue of Weekly Dose of Thunder, from the Norse God and Marvel Comics’ staple Thor’s hammer to your ears. My name is Rich Cerow, and I’m gonna be your tour guide each and every week as we take a magical journey into the vast cultural wasteland of pop music and meet new exciting beasts, from the near-extinct “rock ‘n’ roll star” (ask your dad about it kids, he’ll clue you in) to the pasty white, slothful “electroclash DJ,” and all the hip-hoppers and, well, mostly hip-hoppers in between. And that last sentence was a lie; we’ll never talk about electroclash in this column. That trend is so played. Unless you’re the NME.

I thought I’d start by looking back to the past, to the music that brought us to the glorious landscape we inhabit now, and make fun of it. Namely, I thought we’d ask that age-old question, that cavemen teenagers asked their parents when they heard the old grunts belted out, “People used to like this crap?” Oh, young friend, little buddy, mi amigo, not only did they like it, but it was important to them, nay, defined them. At some point, somebody who HATED disco was listening to Foreigner’s “Don’t Stop Believing” and thinking, “Yeah, that’s me, I am just a small town boy living in my lonely world. This speaks to me, I identify with this.” Cause that is totally how people think about music, in a literal and conscious manner. And even though these thoughts are kind of trite and eminently laughable today, that probably was a 100% accurate depiction of that guy’s life. It’s just that that guy’s life was totally boring.

Obviously, not everything related directly to the listener’s life, but still, the words were important. People bought “Home Sweet Home” by Motley Crue because they were too young to fall in love and they wanted to support a “so drunk you need to get carried off your drum kit by a roadie, you scamp, Tommy Lee, you” lifestyle, as depicted in that awesome video. I mean, just because your average Wisconsin teenager wasn’t riding down the Sunset Strip in a hot tub in the back of a limo with four topless Hawaiian Tropics girls didn’t mean that that wasn’t his ideal, the life he wanted to live and give others a chance to live. In many ways, those were nobler times, when one man would lay down $8.50 on a cassette copy of Cherry Pie by Warrant so that Kip Winger or somebody like him who was in Warrant could once again ravish somebody from the cast of Eight is Enough. Ravish.

Now, don’t get me wrong, if Valerie Bertinelli came knocking on my door, with her magnificently feathered hair like the plumage of a soaring eagle, circling a mountain side, love lifting us up where we belong, I would obviously have a go. And I suppose the fantasies indulged by earlier generations are no more ridiculous than the hip-hop ones modern pop radio listeners live every day. Hell, they don’t have all the guns and violence in addition to the sex and drugs, so maybe they’re actually better. But they’re now and they’re ours so they don’t seem nearly as ridiculous. And nobody’s singing about being from Indiana, which helps.

Until the next one, I remain, humbly,
Rich Cerow


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